Bibliografía en Scopus


 

Arroyo, S. Breaking the Vitreous Eye: Sight and Blindness in Ana Caro’s Valor, Agravio Y Mujer. Bulletin of Hispanic Studies 99.7 (2022): 663–81.
Bayliss, R. The Best Man in the Play: Female Agency in a Gender-Inclusive Comedia. Bulletin of the Comediantes 59.2 (2007): 303,323+229.
Camino, M. M. Negotiating Woman: Ana Caro's El Conde Partinuplés and Pedro Calderón De La Barca's La Vida Es Sueño. Tulsa Studies in Womens Literature 26.2 (2007): 199–216.
Carretero, C. H. The Fable of Mercury and Herse. Sumptuous Tapestry of the Ducal House of Lerma-Medinaceli. Notes in Homage to Nello Forti Grazzini. Ademas de 2023.9 (2023): 23–41.
Cohen-Steinberg, J. Using Shame and Guilt to Impose Social Injustice in Ana Caro’s El Conde Partinuplés. Social Justice in Spanish Golden Age Theatre. University of Toronto Press, 2021. 98–115.
De Armas, F. A. Echoes and Rewritings of Calderón in Ana Caro’s El Conde Partinuplés: La Gran Cenobia, La Dama Duende and La Vida Es Sueño. Anuario Calderoniano 13 (2020): 229–48.
Ellis, J. Royal Obligation and the "Uncontrolled Female" in Ana Caro's El Conde Partinuplés. Bulletin of the Comediantes 62.1 (2010): 15–30.
Finn, T. P. Women's Kingdoms: Female Monarchs by Two Women Dramatists of Seventeenth-Century Spain and France. Bulletin of the Comediantes 59.1 (2007): 131,148+6.
Gil-Oslé, J. P. The Examination of Husbands in Ana Caro's El Conde Partinuples: The Feminine Agency in the Juicio De Paris. Bulletin of the Comediantes 61.2 (2009): 103–19.
Montauban, J. 'You Forgive the Poet's Oversight': The Gracioso in Ana Caro's Comedias. Hispanic Research Journal 12.1 (2011): 18–33.
Petersen, E. M. C. Women’s Somatic Training in Early Modern Spanish Theater. Women's Somatic Training in Early Modern Spanish Theater. Taylor and Francis, 2016. 1–158.
Rhodes, E. Redressing Ana Caro's Valor, Agravio Y Mujer. Hispanic Review 73.3 (2005): 309–28.
Seagraves, R. Violent Masculinity Onstage and Off: A Rereading of Ana Caro's Valor, Agravio Y Mujer through the Memoir of Catalina De Erauso. Bulletin of the Comediantes 64.2 (2012): 83–99.
Toro, J. E. Ana Caro Mallén: Author of 'Relaciones' and Chronicler of Her Time. Historia y Comunicacion Social 27.1 (2022): 197–205.
Torres, I. ‘Pues Tanto Se Esconde’: Elusion at (Inter)Play in Ana Caro's El Conde Partinuplés. Bulletin of Spanish Studies 92.8-10 (2015): 203–22.
Wofford, S. L. Cross-Dressing and Technologies of Desire and Revenge in Ana Caro, Valor, Agravio Y Mujer with a Glance at Twelfth Night. Renaissance Drama 50.2 (2022): 245–62.
Zuese, A. R. Ana Caro and the Literary Academies of Seventeenth-Century Spain. Women's Literacy in Early Modern Spain and the New World. Taylor and Francis, 2016. 191–208.
Zuese, A. R. Ana Caro and the Literary Academies of Seventeenth-Century Spain. Women's Literacy in Early Modern Spain and the New World. Ashgate Publishing Ltd, 2011. 191–208.

Bibliografía en Web of Science


 

Alcalde, P. Authorship and Authority in Ana Caro: The Female Playwright and Her Character in 'Valor, Agravio Y Mujer'. Confluencia-Revista Hispanica De Cultura Y Literatura 19.2 (2004): 177–87.
Arroyo, Silvia. Breaking the Vitreous Eye: Sight and Blindness in Ana Caro's Valor, Agravio Y Mujer. Bulletin of Hispanic Studies 99.7 (2022)
Ball, Rachael. Feliciana Enriquez De Guzman, Ana Caro Mallen, and Sor Marcela De San Felix: Women Playwrights of Early Modern Spain. Sixteenth Century Journal 48.4 (2017): 1072–4.
Bates, Stephanie, and A. Robert Lauer. Performativity of the Genre of Leonor/Leonardo and the Creation of "Gender Trouble" in Value, Indignation and Wife of Ann Caro. Anagnorisis-Revista De Investigacion Teatral.1 (2010): 33–57.
Boyle, Margaret E., and Leyma Lopez. "Gender Cannot be an Impediment": A Conversation about Ana Caro with Director Leyma Lopez. Comedia Performance 16.1 (2019): 115–27.
Burningham, Bruce R. Valor, Agravio, Y Mujeres Al Borde. Comedia Performance 21.1 (2024): 77–89.
Camino, Mercedes Maroto. Negotiating Woman:: Ana!Caro's El 'Conde Partinuples' and Pedro Calderon!De La Barca's La 'Vide Es Sueno'. Tulsa Studies in Womens Literature 26.2 (2007): 199–216.
Carrión, M. M. Portrait of a Lady:: Marriage, Postponement, and Representation in Ana!Caro's El 'Conde Partinuples'. Mln-Modern Language Notes 114.2 (1999): 241–68.
Cifuentes, Maria Angeles Fernandez. "Say this Out Loud": A Digital Adaptation of Count Partinuples. Comedia Performance 21.1 (2014): 245–64.
de Armas, Frederick A. ECHOES AND REWRITINGS OF CALDERON IN ANA CARO'S EL CONDE PARTINUPLES: LA GRAN CENOBIA, LA DAMA DUENDE AND LA VIDA ES SUENO. Anuario Calderoniano.13 (2020): 229–48.
Escabias Toro, Juana. Ana Caro Mallen: Author of 'Relaciones' and Chronicler of Her Time. Historia Y Comunicacion Social 27.1 (2022): 197–205.
Friedman, Edward H. Clothes Unmake the Woman: The Idiosyncrasies of Cross-Dressing in Ana Caro's Valor, Agravio Y Mujer. Confluencia-Revista Hispanica De Cultura Y Literatura 24.1 (2008): 162–71.
Garcia-Martin, Elena. Gendered Representations of the Militant Church: Ana Caro's and Luisa Rolclan's Rhetoric of War and Religion. Early Modern Women-an Interdisciplinary Journal 7 (2012): 69–100.
Liuzzo, Rossella. Conjuring Ghosts: Count Partinuples and "the Moldy Graces" between Translation and Recasting. Enthymema-International Journal of Literary Criticism Literary Theory and Philosophy of Literature.31 (2022): 27–42.
Martos Perez, Maria Dolores. Female Self-Fashioning in the Poetry of the Early Modern Period. Studia Aurea-Revista De Literatura Espanola Y Teoria Literaria Del Renacimiento Y Siglo De Oro 10 (2016): 77–103.
Montauban, Jannine. "The Poet did Neglect; Forgive Her that": The Funny One in the Comedies of Ana Caro. Hispanic Research Journal-Iberian and Latin American Studies 12.1 (2011): 18–33.
Petersen, Elizabeth Marie Cruz. Swordplay Uncloaked: Women as Active Agents in Ana Caro's Valor, Agravio, Y Mujer and Lope De Vega's La Pobreza Estimada. Comedia Performance 16.1 (2019): 86–102.
Riesco Suarez, Nerea. Ana Caro De Mallen, the Seville Muse: A Feminist Journalist in the Spanish Golden Age. Ic-Revista Cientifica De Informacion Y Comunicacion.2 (2005): 105–20.
Samson, Alexander. Women Playwrights of Early Modern Spain: Feliciana Enriquez De Guzman, Ana Caro Mallen and Sor Marcela De San Felix. Bulletin of the Comediantes 69.2 (2017): 193–5.
Simerka, B. Early Modern Literature and Contemporary Feminist Philosophy: Alison Jaggar, Carol Gilligan and Ana Caro's El 'Conde Partinuples'. Revista De Estudios Hispanicos 33.3 (1999): 495–512.
Soufas, T. S. The Plays of Ana Caro. Revista De Estudios Hispanicos 33.2 (1999): 373–5.
Torres, Isabel. "'Pues Tanto Se Esconde': Elusion at (Inter)Play in Ana Caro's El Conde Partinuples. Bulletin of Spanish Studies 92.8-10 (2015): 203–22.
Villegas de la Torre, Esther M. Autoria Femenina Y Campo Literario En La Primera Mitad Del Siglo XVII. Journal of Spanish Cultural Studies 20.4 (2019): 337–52.
Weimer, C. B. Ana Caro's El 'Conde Partinuples' and Calderon's La 'Vida Es Sueno': Protofeminism and Heuristic Imitation. Bulletin of the Comediantes 52.1 (2000): 123–46.