Bibliografía en Scopus

 

Armon, S. Novels and Narratives. The Routledge Research Companion to Early Modern Spanish Women Writers. Taylor and Francis, 2017. 169–186.
Arribas, V. A. “My Genius Engendered them and they are Growing Up in the Arms of the Camera”: Baroque Short Novel on Cinema and TV. Janus.Estudios Sobre El Siglo De Oro 9 (2020): 596–642.
Arribas, V. A., and R. B. Cerezo. El Prevenido Engañado (María De Zayas, 1637) and El Jardín De Venus (José María Forqué, 1983). Criticon 143 (2021).
Ballesteros, J. R. El Imperio Desde El Centro: La Interpretación De María De Zayas Del Tema Indiano En Cervantes. Romance Quarterly 53.2 (2006): 113–28.
Barella, J. Maria De Zayas. Disillusions with Life Expressed by a Woman. Edad de Oro 26 (2007): 52–63.
Bayliss, R. Feminism and María De Zayas's Exemplary Comedy, La Traición En La Amistad. Hispanic Review 76.1 (2008): 1–17.
Brownlee, M. S. Zayas's Diabolical Magic Coups De Maître: Studies in Medieval and Early Modern Literature and Culture, in Honour of John D. Lyons. Peter Lang AG, 2021. 503–522.
Calvo, M. J. Z. The Moncked Devil in «El Jardín Engañoso» by María De Zayas. Atalanta 9.2 (2021): 109–26.
Canonica, E. Intertextuality and Rewriting in the Novelas Amorosas Y Ejemplares by María De Zayas: An Approach. Criticon 143 (2021): 5–30.
Castillo, D. R. Baroque Horrors: Roots of the Fantastic in the Age of Curiosities Baroque Horrors: Roots of the Fantastic in the Age of Curiosities. University of Michigan Press, 2010. 1–177.
Cayuela, A. "There was no Lady in the Room Who did Not Dance": Danzas and Bailes in María De Zayas' Novelas Amorosas Y Ejemplares. Criticon 143 (2021): 31–43.
Cerezo, R. B. Deceits and Disenchantments of the Prologue “Al Que Leyere” of María De Zayas’ Honesto Y Entretenido Sarao. Revista de Filologia Espanola 103.2 (2023): 285–311.
---. Palimpsests of Tiempo De Regocijo Y Carnestolendas De Madrid by Alonso De Castillo Solórzano within the Framework of Honesto Y Entretenido Sarao by María De Zayas. Edad de Oro 43 (2024): 369–97.
---. Round-Trip Prologues: Juan De Piña, Alonso De Castillo Solórzano, Francisco De Quintana, Juan Pérez De Montalbán, and María De Zayas in Lope De Vega’s Literary Field. RILCE 38.1 (2022): 81–132.
Clark, T. Beating them at their Own Game: Gender and Perspective in the Petrarchan and Pastoral Poetry of María De Zayas's Aventurarse Perdiendo. Modern Language Review 117.4 (2022): 622–46.
Cohen, H. The Reworking and Incorporation of Two of Marguerite De Navarre's "Heptaméron" Nouvelles by María De Zayas Y Sotomayor in Her Novela "Tarde Llega El Desengaño". Comparative Literature Studies 56.1 (2019): 104–32.
Cruz, A. J., and R. Hernández. Women's Literacy in Early Modern Spain and the New World Women's Literacy in Early Modern Spain and the New World. Taylor and Francis, 2016. 1–274.
de Ramos, A. R., and I. C. Calderón. Zayas and Madrid: The Forje of an Inseparable Pairing. Dicenda 41 (2023): 193–211.
Farmer, J. Inscribing Victory: Rivalry and Mise En Abyme in María De Zayas's Novella Collections. MLN - Modern Language Notes 126.2 (2011): 245–58.
Fernandez, E. Anxieties of Interiority and Dissection in Early Modern Spain Anxieties of Interiority and Dissection in Early Modern Spain. University of Toronto Press, 2014. 1–276.
Fox, D. Gender Reveal: The Achilles/ Amadís Paradigm in María De Zayas's Amar Solo Por Vencer. Hispanic Review 90.3 (2022): 333–56.
Fox, G. The Familial Lyric The Routledge Research Companion to Early Modern Spanish Women Writers. Taylor and Francis, 2017. 271–284.
Fuchs, B. Engendering Golden Tongues. Journal of Romance Studies 23.2 (2023): 183–204.
Gamboa-Tusquets, Y. María De Zayas, Or Memory Chains and the Education of a Learned Woman Women's Literacy in Early Modern Spain and the New World. Ashgate Publishing Ltd, 2011. 209–224.
García Santo-Tomás, E. María De Zayas between Two Shores. Arte Nuevo.Revista de Estudios Aureos 9 (2022): 35–46.
Garrido Ardila, J. A. Aristocracy and Refinement in Philip IV's Imperial Madrid: Maria De Zayas's Novellas. Revista de Literatura 84.167 (2022): 99–126.
Gil-Olse, J. The Tradition of Female Friendship in Maria De Zayas's La Traición En La Amistad. Bulletin of Hispanic Studies 93.4 (2016): 361–84.
Gil-Osle, J. P. La Edad De Hierro En La Traición En La Amistad De María De Zayas. Neophilologus 98.2 (2014): 275–86.
Hautcœur, G. Misogyny Or Defense of Women? the Enunciative Ambiguity in the Cheated Cautious Man by María De Zayas. Criticon 143 (2021).
Hutchinson, S. Social Norms and Private Ethics: Women's Adultery in Cervantes. Anales Cervantinos 42 (2010): 193–207.
Ibarreche, X. G. Woman Reclaimed: Subverting Feminine Exclusion in the Works of María De Zayas in Seventeenth-Century Spain Women and the Ideology of Political Exclusion: From Classical Antiquity to the Modern Era. Taylor and Francis, 2018. 234–246.
Irigoyen-García, J. "Just as Moors do to Christians": Race, Gender and Cultural Identity in Maria De Zayas' "Late was the Disappointment". Revista Canadiense de Estudios Hispanicos 40.2 (2016): 357–70.
Jaén, I. Empathy and Gender Activism in Early Modern Spain: Maria De Zayas’s Amorous and Exemplary Novels Rethinking Empathy through Literature. Taylor and Francis, 2014. 189–201.
Jouanchin, F. C. Furniture in Goldenage Spanish Novel: So Remarks about Bed. Edad de Oro 33 (2014): 383–94.
Lagreca, N. Evil Women and Feminist Sentiment: Baroque Contradictions in María De Zayas's "El Prevenido Engañado" and "Estragos Que Causa El Vicio". Revista Canadiense de Estudios Hispanicos 28.3 (2004): 564–82.
Leoni, M. La Traición En La Amistad: The Convenient Demonization of Fenisa and the Subsequent Creation of the "Other". Bulletin of the Comediantes 59.1 (2007): 149–7.
Manley, S. Magic, Inherent Evil, and the Proto-Feminism of María De Zayas Y Sotomayor: A Comparison with Selected Novelas of Miguel De Cervantes and Alonso De Castillo Solórzano. Bulletin of Hispanic Studies 96.2 (2019): 127–43.
Mansilla, F. R. Amar Sólo Por Vencer: The "Picaresque" of María De Zayas. Acta Poetica 37.1 (2016): 79–98.
---. Cuidadoso Descuido: Rogues, Lying, and Theater in the Picaresque Narrative. Hipogrifo 3.1 (2015): 55–67.
---. Genesis and Poetic Narrative of Maria De Zayas's Desengão Quinto (Or La Inocencia Castigada). MLN - Modern Language Notes 129.2 (2014): 255–68.
Maroto Camino, M. Maria De Zayas and Ana Caro: The Space of Woman's Solidarity in the Spanish Golden Age. Hispanic review 67.1 (1999): 1–16.
Matus-Nin, I. The Importance of Verisimilitude (Plausibility) in 'the Disappointment in Love and Prize of Virtue', by María De Zayas Y Sotomayor. Confluencia 22.1 (2006): 58–66.
McConnell, K. F., and M. Meere. Coups De Maître: Studies in Medieval and Early Modern Literature and Culture, in Honour of John D. Lyons Coups De Maître: Studies in Medieval and Early Modern Literature and Culture, in Honour of John D. Lyons. Peter Lang AG, 2021. 1–560.
Micouleau, M., and F. Raynié. Violent Women and Feminism: La Burlada Aminta Y Venganza Del Honor of María De Zayas. Hipogrifo 7.1 (2019): 365–77.
Montauban, J. "Well, I do Not Want to Talk to You": New Paragraphs in the Betrayal in Friendship by Maria De Zayas. Revista Canadiense de Estudios Hispanicos 35.2 (2011a): 289–304.
---. The Portrait as a Symptom and Representation in the Theater of Ana Caro and Maria De Zayas. Bulletin of the Comediantes 63.2 (2011b): 39–56.
---. S/Z in the Hispanic Context: Castration and Otherness in the Female Characters of Miguel De Cervantes and María De Zayas. Revista Canadiense de Estudios Hispanicos 45.2 (2020): 463–80.
---. Ways of Rewriting Tradition: "The Deceitful Garden" and "Triumphant Over Persecution" by María De Zayas. Criticon 143 (2021).
O'Brien, E. Female Friendship Extolled: Exploring the Enduring Appeal of María De Zayas's Novellas. Romance Studies 26.1 (2008): 43–59.
---. Games in 'the Garden of Deceit': A Seventeenth-Century Novella by María De Zayas Y Sotomayor. Modern Language Review 104.4 (2009): 1008–17.
---. Imagining an Early Modern Matria? the Representation of Age in Zayas and Carvajal. Forum for Modern Language Studies 47.2 (2011a): 197–209.
---. Locating the Diary of Persecuted Innocence: Maria De Zayas' Adaptation of Hagiographic Historias. Bulletin of Spanish Studies 87.3 (2010): 295–314.
---. Personalizing the Political: The Habsburg Empire of María De Zayas's Desengaños Amorosos. Bulletin of Hispanic Studies 88.3 (2011b): 289–305.
Orobitg, C. María De Zayas' Novelas Amorosas Y Ejemplares: A Poetics of Feminine Boldness. Criticon 143 (2021): 87–105.
Özmen, E. "Although Women are Not Homers with Skirts and Petticoats and Virgils with a Bow...": Zayas and His Novel Art. Janus.Estudios Sobre El Siglo De Oro 10 (2021a): 458–88.
---. The Art of the Novel from Cervantes to Zayas. Vol. 24. Edizioni Ca' Foscari, 2021b.
---. Poetics of the Novel in María De Zayas. Criticon 143 (2021c).
Parker Aronson, S. L. Monstrous Metamorphoses and Rape in María De Zayas. Revista Canadiense de Estudios Hispanicos 29.3 (2005): 525–47.
Pedrosa, J. M. Cervantes' Sorceresses, Hispanic Fausts and Winter Roses. Edad de Oro 38 (2019): 125–58.
Pérez, P. R. Poetic Practices in María De Zayas: From the Sarao to the Narration. Criticon 143 (2021).
Rabaté, P. The Exemplary Variety of María De Zayas' Novelas Amorosas Y Ejemplares. Criticon 143 (2021): 107–23.
Raynié, F. Some Reflections on Al Fin Se Paga Todo (María De Zayas, Novelas Amorosas Y Ejemplares). Criticon 143 (2021).
Rhodes, E. Dressed to Kill: Death and Meaning in Zayas's Desengaños Dressed to Kill: Death and Meaning in Zayas's Desenganos. University of Toronto Press, 2011. 1–234.
Roca, I. M. Lope De Vega Rewritten by María De Zayas: "La Viuda Valenciana", a Comedy between Two Novels. Anuario Lope de Vega 26 (2020): 445–69.
Rodríguez De Ramos, A., and I. Colón Calderón. The Paternal Family of María De Zayas Y Sotomayor: Keys to the Entry Process into the Order of Santiago by Fernando De Zayas. Anuario de Estudios Filologicos 47 (2024): 355–98.
Romero Asencio, M. A. María De Zayas’ Broken Frame: A Brief Study of the History and Evolution of Frame Narratives. Neophilologus 102.3 (2018): 369–86.
Romero-Díaz, N. In the Limits of Representation: The Treachery of Maria De Zayas. Revista Canadiense de Estudios Hispanicos 26.3 (2002): 475–92.
Rouane-Soupault, I. The Metamorphosis of Anaxarete: Reminiscences and Omissions in some Comedias of Women Dramatists. Bulletin Hispanique 117.2 (2015): 675–89.
Ruiz, E. Three Faces/Phases of Male Desire: Veiled Woman, Passive Virgin, and African Devil in María De Zayas’s “Tarde Llega El Desengaño”. Symposium - Quarterly Journal in Modern Literatures 72.3 (2018): 149–62.
Sakas, K. An Additional Desengano in 'La Esclava De Su Amante' by María De Zayas. Bulletin of Spanish Studies 88.6 (2011): 809–20.
Stroud, M. D. Love, Friendship, and Deceit in La Traición En La Amistad, by María De Zayas. Neophilologus 69.4 (1985): 539–47.
Teruel, J. Disillusion Triumphant. Framework and Final Disillusion in María De Zayas' Parte Segunda Del Saio Y Entretenimiento Honesto. Edad de Oro 33 (2014): 317–33.
Trambaioli, M. María De Zayas' Anti-Don Juan. Revista de Literatura 76.152 (2014): 511–29.
Tusquets, Y. G. Maria De Zayas, Or Memory Chains and the Education of a Learned Woman Women's Literacy in Early Modern Spain and the New World. Taylor and Francis, 2016. 209–224.
Villegas de la Torre, E. M. Scholarship and Benefit in the Baroque Respublica Litteraria: About María De Zayas. Criticon 143 (2021).
Wagschal, S. The Aesthetics of Disgust in Miguel De Cervantes and María De Zayas Beyond Sight: Engaging the Senses in Iberian Literatures and Cultures, 1200-1750. University of Toronto Press, 2018. 94–120.
Williamsen, A. R. Women Playwrights The Routledge Research Companion to Early Modern Spanish Women Writers. Taylor and Francis, 2017. 187–202.

Bibliografía en Web of Science

 

[Anonymous]. "Maria De Zayas Tells Baroque Tales of Love and the Cruelty of Men." Virginia Quarterly Review 77.3 (2001): 98–9.
---. "The Marvellous and the Miraculous in Maria De Zayas." Forum for Modern Language Studies 56.4 (2020): 482–3.
Acebedo Cuellar, Monica. "Maria De Zayas and Other Heteronyms De Castillo Solorzano." Perifrasis-Revista De Literatura Teoria Y Critica 11.21 (2020): 150–2.
Alcalde, P. "From the Violence to Martydom: The Birth of the Heroine in Maria De Zayas." Critica Hispanica 23.1-2 (2001): 16–30.
Alvarez, Ana Pinan. "The Rewritting of Pliny the Younger's Letter about Ghosts in the Narrative of Spanish Golden Age." Cuadernos Canela 30 (2019): 37–49.
Aranda Arribas, Victoria. ""My Genius Engendered them and they are Growing Up in the Arms of the Camera": Baroque Short Novel on Cinema and TV." Janus-Estudios Sobre El Siglo De Oro 9 (2020): 596–642.
Aranda Arribas, Victoria, and Rafael Bonilla Cerezo. "the Forewarned Deceived (Maria De Zayas, 1637) in El Jardin De Venus (Jose Maria Forque, 1983)." Criticon 143 (2021): 177–238.
Ardila, J. A. Garrido. "Aristocracy and Refinement in Philip IV's Imperial Madrid: Maria De Zayas's Novellas." Revista De Literatura 84.167 (2022): 99–126.
Arlandis, Sergio. "Scenes of Transgression. Maria De Zayas in its Literary-Cultural Context." Iberoamericana 10.38 (2010): 210–5.
---. "Women in the Prose of Maria De Zayas." Iberoamericana 11.42 (2011): 222–5.
Asencio, Marcos A. Romero. "Maria De Zayas' Broken Frame: A Brief Study of the History and Evolution of Frame Narratives." Neophilologus 102.3 (2018): 369–86.
Ballesteros, Jose R. "The Empire from the Center - Maria De Zayas' Interpretation of the Indian Theme in Cervantes." Romance Quarterly 53.2 (2006): 113–28.
Bolufer, M. "The Cultural Labyrinth of Maria De Zayas." Hispania-Revista Espanola De Historia 209 (2001): 1167–70.
Bonilla Cerezo, Rafael. "Round-Trip Prologues: Juan De Pina, Alonso De Castillo Solorzano, Francisco De Quintana, Juan Perez De Montalban, and Maria De Zayas in Lope De Vega's Literary Field." Rilce-Revista De Filologia Hispanica 38.1 (2022): 81–132.
Borowitz, Molly. "Protecting the Spanish Woman: Gender Identity and Empowerment in María De Zayas's Works." Hispanofila 201 (2024).
Boyle, Margaret E. In Search of a Witness Violence and Women in Maria De Zayas. Routledge Critical Junctures in Global Early Modernities.
---. "Maria De Zayas and Her Tales of Desire, Death and Disillusion." Bulletin of Spanish Studies 101.8 (2024): 1256–7.
Brocato, Linde M. "Women in the Prose of Maria De Zayas." Hispanofila 170 (2014): 156–8.
Brown, Katherine L. "Protecting the Spanish Woman:Gender Identity and Empowerment in MarÍa De Zayas's Works." Monteagudo 29 (2024): 233–5.
Brownlee, M. S. "Maria De Zayas Y Sotomayor, 'Friendship Betrayed', La 'Traicion El La Amistad'." Renaissance Quarterly 54.1 (2001): 285–6.
Brownlee, M. "Maria De Zayas Y Sotomayor, 'Novelas Amorosas Y Ejemplares'." Bulletin of Hispanic Studies 79.3 (2002): 419–20.
Calvo, Maria Jesus Zamora. "The Moncked Devil in "El Jardin Enganoso" by Maria De Zayas." Atalanta-Revista De Las Letras Barrocas 9.2 (2021): 109–26.
Camino, M. M. "Maria De Zayas and Ana Caro: The Space of Woman's Solidarity in the Spanish Golden-Age." Hispanic Review 67.1 (1999): 1–16.
Canonica, Elvezio. "Intertextuality and Rewriting in the Loving and Exemplary Novels of Maria De Zayas: An Approach." Criticon 143 (2021): 5–30.
Catelli, Laura. "Spanish Baroque and Misogyny: The Image of Mary Magdalene in Maria De Zayas's Disenchantments of Love." Arenal-Revista De Historia De Las Mujeres 18.2 (2011): 409–32.
Cayuela, Anne. ""There was no Lady Left in the Room Who did Not Dance": Dances and Dances in the Amorous and Exemplary Novels of Maria De Zayas." Criticon 143 (2021): 31–43.
Cerezo, Rafael Bonilla. "Deceptions and Disappointments in the Prologue "to the One Who Reads" from the Honest and Entertaining Sarao by Maria De Zayas." Revista De Filologia Espanola 103.2 (2023): 285–311.
Clark, Thomas. "Beating them at their Own Game: Gender and Perspective in the Petrarchan and Pastoral Poetry of Maria De Zayas's Aventurarse Perdiendo." Modern Language Review 117 (2022): 622–46.
Cohen, Henry. "THE REWORKING AND INCORPORATION OF TWO OF MARGUERITE DE NAVARRE'S "HEPTAMERON'' NOUVELLES." Comparative Literature Studies 56.1 (2019): 104–32.
Colburn, S. "Subjectivity, Sexual Difference, and Fantasy in Maria De Zayas's Estragos Que Causa El Vicio." Rla - Romance Languages Annuals 1996, Vol Viii 8 (1997): 413–6.
Connor-Swietlicki, Catherine. "Thematic Strategies and Narratives in the Meninized Novel of Maria De Zayas." Bulletin of Spanish Studies 85.1 (2008): 92–3.
Costa Pascal, Anne-Gaelle. "Women in the Prose of Maria De Zayas." Agustin En Espana (Siglos Xvi Y Xvii): Aspectos De Filosofia, Teologia Y Espiritualidad 111-112 (2011): 302–5.
Cox Davis, N. "Re-Framing Discourse: Women before their Public in Maria De Zayas." Hispanic Review 71.3 (2003): 325–44.
Dadson, Trevor J. "Women in the Prose of Maria De Zayas." Hispanic Research Journal-Iberian and Latin American Studies 13.1 (2012): 87–8.
de la Torre, Esther M. Villegas. "Erudition and Profit in the Baroque Literary Republic: About Maria De Zayas." Criticon 143 (2021): 157–75.
de Ramos, Alberto Rodriguez, and Isabel Colon Calderon. "Zayas and Madrid: The Forje of an Inseparable Pairing." Dicenda-Cuadernos De Filologia Hispanica 41 (2023): 193–211.
Delehanty, Ann T. "Maria De Zayas's 'Tarde Llega El Desengano' and the Contradictions of Modernity." Bulletin of Hispanic Studies 95.9 (2018): 945–58.
Drinkwater, J. "Maria De Zayas Tells Baroque Tales of Love and the Cruelty of Men." Modern Language Review 98 (2003a): 484–5.
---. "Maria De Zayas Y Sotomayor, 'Novelas Amorosas Y Ejemplares'." Modern Language Review 98 (2003b): 484–5.
Farmer, Julia. "Inscribing Victory: Rivalry and Mise En Abyme in Maria De Zayas's Novella Collections." Mln 126.2 (2011): 245–58.
Fox, Dian. "GENDER REVEAL: THE ACHILLES/AMADiS PARADIGM IN MARiA DE ZAYAS'S AMAR SOLO POR VENCER." Hispanic Review 90.3 (2022): 333–56.
Friedman, E. H. "Innocents Punished: The Narrative Models of Maria De Zayas." Confluencia-Revista Hispanica De Cultura Y Literatura 20.1 (2004): 9–16.
---. "Maria De Zayas: The Dynamics of Discourse." Renaissance Quarterly 50.4 (1997a): 1251–2.
---. "Maria De Zayas's Estragos Que Causa El Vicio and the Feminist Impasse." Rla - Romance Languages Annuals 1996, Vol Viii 8 (1997b): 472–5.
Fuchs, Barbara. "Engendering Golden Tongues." Journal of Romance Studies 23.2 (2023): 183–204.
Gamboa, Y. "Architectural Cartography: Social and Gender Mapping in Maria De Zayas's Seventeenth-Century Spain." Hispanic Review 71.2 (2003): 189–203.
Gamboa, Yolanda. "Women in the Prose of Maria De Zayas." Early Modern Women-an Interdisciplinary Journal 7 (2012): 367–9.
Garcia Castro, Juan Antonio. "Language, Knowledge and Power in Classical Spain / El Greco / Maria De Zayas Preface." E-Spania-Revue Electronique D Etudes Hispaniques Medievales 40 (2021).
Garcia-Bryce, A. "Maria De Zayas Tells Baroque Tales of Love and the Cruelty of Men." Renaissance Quarterly 55.2 (2002): 721–2.
Gil-Olse, Juan. "The Tradition of Female Friendship in the Betrayal in Friendship by Maria De Zayas." Bulletin of Hispanic Studies 93.4 (2016): 361–83.
Gil-Osle, Juan Pablo. "The Iron Age Betrayal in Friendship by Maria De Zayas." Neophilologus 98.2 (2014): 275–86.
Greer, Margaret R. "The Marvellous and the Miraculous in Maria De Zayas." Bulletin of Hispanic Studies 98.10 (2021): 1044–5.
Guerry, Francois-Xavier. "Cross-Reading of Fernando De Rojas and Maria De Zayas. the Celestine Intertext of the Mocked Aminta." E-Spania-Revue Electronique D Etudes Hispaniques Medievales 40 (2021): 41929.
Guillén, F. "The Narrative Framework as Utopian Space in Maria De!Zayas's 'Desenganos Amorosos'." Revista De Literatura 60.120 (1998): 527–35.
Guillen, Felisa. "Punishment for the Eyes:: The Uses of Sacred Iconography in a Story by Maria!De Zayas." Critica Hispanica 29.1-2 (2007): 165–86.
Hautcoeur, Guiomar. "Misogyny Or Defense of Women? the Enunciative Ambiguity in El Prevenido Engajando by Maria De Zayas." Criticon 143 (2021): 45–53.
Hidalgo, Jose M. "THE ARTISTIC IDEOLOGY OF THE FIFTH DISAPPOINTMENT (OR PUNISHED INNOCENCE) OF MARIA DE ZAYAS." Hispanofila 173 (2015): 131–44.
High, Jeffrey L., and Lisa Beesley. "Wieland's "Untitled Novel" is Based on Mereau-Brentano's Translations of Maria De Zayas' "Spanish Novels"." Zeitschrift Fur Germanistik 30.1 (2020): 182–3.
Hoffman, Joan M. "Thematic Strategies and Narratives in the Feminized Novel of Maria De Zayas." Hispania-a Journal Devoted to the Teaching of Spanish and Portuguese 91.1 (2008): 189–90.
---. "Women in the Prose of Maria De Zayas." Hispania-a Journal Devoted to the Teaching of Spanish and Portuguese 95.2 (2012): 358–9.
Ibarreche, Xabier Granja. "Maria De Zayas and the Critical Imagination. Reasoned and Annotated Bibliography." Bulletin of Spanish Studies 100.6 (2024): 929–30.
Ienk, Taciane, and Rosangela Schardong. "the Lyric as a Contribution to the Meaning of the Tell Amar Solo Por Vencer (1647), by Maria De Zayas." Contexto-Revista do Programa De Pos-Graduacao Em Letras 37 (2020): 392–418.
Ihinger, Kelsey J. ""Ojos Que no Ven": Gendered Blindness in Maria De Zayas's Desenganos Amorosos." Journal for Early Modern Cultural Studies 20.1 (2020): 29–58.
Jaen-Portillo, Isabel. "Can Fiction Lead to Prosocial Behaviour? Exclusion, Violence, Empathy, and Literature in Early Modernity." Interdisciplinary Science Reviews 48.3 (2023): 464–70.
Jung, U. "Maria De Zayas. the Dynamics of Discourse." Iberoromania.50 (1999): 173–9.
Kaminsky, A. "Maria De Zayas and the Invention of a Women's Writing Community." Revista De Estudios Hispanicos 35.3 (2001): 487–509.
Le Vagueresse, Emmanuel. "Maria De Zayas Viewed by Juan Goytisolo." E-Spania-Revue Electronique D Etudes Hispaniques Medievales 40 (2021): 42169.
Manley, Stewart. "Magic, Inherent Evil, and the Proto-Feminism of Maria De Zayas Y Sotomayor: A Comparison with Selected Nove/as of Miguel De Cervantes and Alonso De Castillo Solorzano." Bulletin of Hispanic Studies 96.2 (2019): 127–43.
Manny, K. J. "Maria De Zayas: The Dynamics of Discourse - Williamsen,AR, Whitenack,JA." Hispania-a Journal Devoted to the Teaching of Spanish and Portuguese 80.2 (1997): 301–2.
Mansilla, Fernando Rodriguez. "Cuidadoso Descuido: Rogues, Lying, and Theater in the Picaresque Narrative." Hipogrifo-Revista De Literatura Y Cultura Del Siglo De Oro 3.1 (2015): 55–67.
---. "Genesis and Poetic Narrative in the Fifth Disillusion (Or the Punished Innocence) of Maria De Zayas." Mln 129.2 (2014): 255–68.
---. "Maria De Zayas and Other Heteronyms from Castillo Solorzano." Rilce-Revista De Filologia Hispanica 37.1 (2021): 413–9.
Marguet, Christine. "To Please (Men and Women) to Better Plead (the Cause of Women)? Amorous and Exemplary Novels by Maria De Zayas." E-Spania-Revue Electronique D Etudes Hispaniques Medievales 40 (2021): 41903.
Martinez Gongora, Mar. "Money, Urban Space and Social Mobility in the Novels of Maria De Zayas." Revista De Estudios Hispanicos 41.2 (2007): 237–57.
Matos-Nin, Ingrid. "The Importance of Probability in 'El Desengano Amando Y Premio De La Virtud', by Maria De Zayas Y!Sotomayor." Confluencia-Revista Hispanica De Cultura Y Literatura 22.1 (2006): 58–66.
McClain, L. "Reclaiming the Body: Maria De Zayas' Early Modern Feminism." Sixteenth Century Journal 33.3 (2002): 913–4.
Medina, A. "Maria De Zayas Or the Impossibility of Love: Causality and Courtly Love in 'Mal Presagio Casar Lejos'." Bulletin of Hispanic Studies 75.4 (1998): 411–24.
Medina, I. "Maria De Zayas Y Sotomayor. 'Novelas Amorosas Y Ejemplares'." Hispanofila 140 (2004): 154–6.
Merino Garcia, Maria Manuela. "The Reception of Maria De Zayas in France: Analysis of Two Versions of the Prevenido Enganado." Anales De Filologia Francesa 22 (2014): 177–200.
Micouleau, Melissa, and Florence Raynie. "Violent Women and Feminism: La Burlada Aminta Y Venganza Del Honor of Maria De Zayas." Hipogrifo-Revista De Literatura Y Cultura Del Siglo De Oro 7.1 (2019): 365–77.
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